Classic Fixed Lens Rangefinders:
Kodak 35 RF

by Karen Nakamura

 

Overview and Personal Comments

OK, so as I said on my Retina page, I'd like to get my collecting biases on the table: I hate Kodaks!

But there's one Kodak camera that is so ugly... that you can only be charmed by it.

It sort of reminds me of Bauhaus meets Japanese-robot-animation (mecha). The Kodak 35 Rangefinder has an odd bulbous growth on the front that hides the RF coupling. It looks like it was stuck there as an afterthought.

This isn't too far from the truth. The original Kodak 35 was designed to compete with the Argus A series, but in 1938 Argus came out with their wonderful brick shaped Argus C series with a coupled-rangefinder. Kodak scrambled to add an RF and glommed on a RF to their bakelite model.

This camera was pure Made in USA technology and ingenuity. Unlike the Retina series, which is/was Teutonic to its roots and aimed for quality regardless of cost, the 35 RF was designed for the masses and for low cost. Instead of machined brass and steel, we have stamped alloy and cast bakelite.

A sticker on the inside of the camera admonishes the user to only use Kodak film, and gives patent dates of 1938, 1940, and 1942. It has the same shiny film pressure plate as found on the Bolsey cameras. This means that you should only use negative (B&W or color) film with these cameras and not chrome positives (slide film) which does not come with an anti-halation layer. Infrared film will also act very funny, creating a literal mirror-image.

 

 

Interesting quirks

That thing on the top of the camera and that looks for all purposes like a shutter button? That's not a shutter button. That's the wind-on interlock. To take a photo, assuming the camera is not wound:

  1. Push the wind-on interlock (just as if you were taking a photo)
  2. Turn the wind knob until you feel a "kaching" sound (don't overwind or you'll feel a "snap" sound that's the film sprockets tearing out, it's not the end of the world, just take a blank photo and wind on
  3. Look through the RF and focus using the split-image
  4. Look through the viewfinder and frame your image
  5. Fire the shutter using shutter release on the front of the camera, by the focusing knob

 

Now, this camera has a focusing knob on the front left of the camera that really serves no purpose except to ape the Argus 'C' camera it was competing against (or perhaps in concept, the Zeiss Contax camera).

The shutter advertises that it's flash compatible, but it uses a proprietary system that isn't compatible with current flash units (unless you can find the rare adaptor somehow).

 

OK, so the camera looks like your typical leatherette covered brass or alloy, right? Nope! The black portion of the camera is actually bakelite. You can tell when you look at the strap lugs, which are molded bakelite.

 


Technical Details

Camera Name
35
Manufacturer
Kodak
Place of Manufacture

USA

Date of Manufacture
1940-48
My camera's serial number is EO6121x, this means that it was built in 1946 using the table from ClassicCamera
Focusing System

Coupled split-image rangefinder
Separate viewfinder
4' to infinity (right focusing; infinity on right)

Lens

Kodak Anastigmat Special 50mm f/3.5 (type unknown)
(Anastigmat Special=uncoated; Anastar =coated)

Shutter

"Flash Kodamatic Shutter" leaf (in-lens) shutter

1/10 - 1/200

Metering System

n/a

Apertures

f/3.5 - f/16

Flash

Proprietary external flash connection

Film type / speeds

Standard 135 (35mm) film 24x36 gate

Battery type
n/a
Dimensions and weight
24 oz (680g)
Retail price
$48 (1940)

 

 


About Kodak

Let me get something straight: Kodak was never about high quality photography. George Eastman wanted to make photography available for the masses, to put a camera in every hand. Previously, photography was a messy, icky affair with wet chemistry glass plates that had to be coated before each exposure and processed immediately in a darkroom tent. You literally needed your own pack mule to take photos anywhere.

Kodak developed the technique of putting film emulsion onto a thin flexible backing and thus developed the first roll film. Kodak also gave us the numbering system (Type 135 for 35mm film; Type120/220 for medium format roll film, etc.). Originally, 35mm film was designed solely for motion picture usage. It was Oscar Barnack's brilliant idea to use it for still photography that led to the Leica, and the development of 35mm miniature cameras.

Despite the fact that I'm a technical snob and wouldn't use (or touch!) any Kodak camera except a Nagel-type Retina and a film snob so the only Kodak film I use is Tri-X (I'm Fuji Film all the way otherwise), I do have to credit Kodak (and Leica) with making photography available to everyone. Otherwise, we'd all still be hauling heavy glass plate cameras around on our pack mules. If you think your SUV gets bad mileage! ...

 


On the Net

 


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Last modified: Saturday, 04-Apr-2009 17:08:39 EDT , 2775 visits (2 today, 44 this week) .
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